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Mosaic Convening Branding

Four people standing close together and smiling at us in a cocktail bar holding trophies in the shape of colorful geometric "M" designs. On our left is Melanie Fales, a white woman with light skin tone who hold the award, "Mosaic 2024 Community Champion." In the middle are Sina Bahram, a Persian man, and Corey Timpson, a white man, both with light skin tone. On our left is Chris Xu, and Asian American, non binary person with light brown skin holding an award with the words, "Mosaic 2024 Impact Award." A vertical banner with orange geometric patterns stands behind the group, matching the design of the awards. In the background of the image are shelves with bottles, floral wallpaper, warm lighting, and a framed television screen showing a bright nature scene.
Prime Access Consulting

PAC developed Mosaic’s award-winning multimodal brand identity for its inaugural convening, creating interconnected visual, tactile, motion, sound, print, and live event applications that centered inclusion structurally.

Empowering Women

A museum exhibit with informational panels labeled "Morocco / Maroc" and "Rwanda." A map of Africa highlights locations, and wall text describes the Gahaya Links Cooperative in Rwanda with large woven baskets with black and cream patterns displayed on pedestals on our right. A woman with light skin tonepicks up the lid of a small basket that looks like a smaller version of the towering basket on our left. The Morroco exhibit features a large photo of smiling children with light brown skin tone arm in arm and a base with jewlery. The space has a modern, minimal design with white exhibit walls, dark structural elements, and polished concrete flooring.
Canadian Museum for Human Rights

PAC worked with the Canadian Museum for Human Rights to expand Empowering Women into a multimodal, accessible exhibition experience featuring tactile objects, multilingual description, and a user-tested virtual reality component extending its stories beyond the museum.

Web Accessibility for TNEW Ticketing Interface

A website screenshot features the text "One Unified System" in large, red font in the middle of the screen. The website navigation menu spans across the top of the page and includes the items "Markets," "Solutions," "Features," "Services," "Support and Learning," "Community Events," "About Us," and "Discover." Along the bottom of the image, services are listed along a bulleted, linear red arch: "CRM," "Ticketing and Admissions," "Fundraising," "Memberships," "Online and Mobile," "Education and Programs," "Marketing," and "Business Insights."
Tessitura

PAC worked with Tessitura on TNEW Version 7, advising on accessibility strategy, interaction patterns, and implementation to create a more accessible, customizable purchasing and transaction experience for museums, performing arts organizations, and cultural institutions using the platform.

Tactile Reproductions and Mobile Application

A slanted white museum or gallery display table against a plain wall. The display is labeled "Tactile Reproductions Please Touch," suggesting it is designed for hands-on accessibility. On the left is a large pale raised-relief image resembling a portrait, while the center includes a label card with a small blue-toned self-portrait image. On the right are additional raised outline patterns and a colorful printed artwork label. The display sits on black metal legs in a clean, minimal exhibition space.
The Andy Warhol Museum

PAC worked with The Andy Warhol Museum on tactile reproductions and the accessible Out Loud mobile app, consulting on durable replica prototypes, writing and recording visual and guided tactile descriptions, and improving app accessibility for blind and low vision visitors.

Orion TI-84 Plus Talking Graphing Calculator

A close-up of someone with light skin tone operating a black Texas Instruments TI-84 Plus talking graphing calculator. The calculator is held in one hand while the other hand presses buttons near the directional pad. Its screen displays a graph with axes and plotted data or a function. It has many labeled buttons, including number keys, math functions, arrow controls, and graphing options. The scene appears to be on a wooden tabletop.
American Printing House for the Blind

PAC helped the American Printing House for the Blind advance the Orion TI-84 Plus Talking Graphing Calculator by testing its accessible calculator experience and advising on graph sonification, speech translation of calculator interfaces, and haptic support for exploring graphs and datasets.

Re-imagined The Fisher Collection at 10

A close-up of someone with medium brown skin tone holding a large gray rectangular panel covered in raised, irregular geometric lines and angular shapes. The person is wearing a black sleeve, a silver cuff bracelet, and a ring, with their right hand hold thing panel, while their left explores it tactily with their fingertips. In the background, a white wall features part of an abstract painting with blue line segments and blocks matching the same shapes on the tactile object.
San Francisco Museum of Modern Art

PAC worked with the San Francisco Museum of Modern Art on Reimagined The Fisher Collection at 10, creating an integrated access system with tactile wayfinding, descriptions for every artwork, captions and transcripts for all media, and an accessible exhibition microsite.

Wayfinding

An tactile map of Netflix House Level 1 of 2 inside a purple-lit corner. The map is labeled "Welcome to Netflix House, Level 1 of 2" and includes Braille and printed text. Starting on our left is a legend with symbols, "'You Are Here', elevator down, stairs up, men's restrooms, women's restroom, information and audio device, and themed attractions." A person's hands with light skin tone are or exploring the map on our right.
Netflix

For Netflix House, PAC developed an immersive multimodal wayfinding and content delivery system combining tactile maps, custom floor markers, Braille and high-contrast graphics, and audio navigation to support independent orientation for blind and low-vision visitors while aligning with Netflix’s bold themed environments.

Mandela

A dramatic indoor museum display focused on mass mobilization and anti-apartheid struggle. On our left, large red walls are covered with archival photos and black-and-white silhouettes of crowds of Black South African protesters holding rusty trash can lids, with prominent bilingual text such as "Mass Mobilization" and "What Freedom?" Across the room stands a massive yellow armored tank, towering twice as high as the protestors. Around it are tall dark information panels with historical text, photographs, posters, and archival imagery. Through the middle of the room on the floor is a white strip of raised tactile floor markers.
Canadian Museum for Human Rights

For the Canadian Museum for Human Rights, PAC Principal Corey Timpson directed and produced Mandela: Struggle for Freedom, a bilingual touring exhibition with immersive, interactive, and fully accessible media exploring Nelson Mandela’s life, the anti-Apartheid movement, and his legacy.

Capital Project

A modern, dark exhibition space with immersive multimedia displays. Large wall screens feature a city skyline, portraits of people, and text from the Universal Declaration of Human Rights, including "All human beings are born free and equal in dignity and rights" in English and French. A video of a person has captions in both French in English with two smaller inset sign language interpreters placed next to the main video. In the foreground are glass display cases set into angular wooden platforms and benches, with reflective polished floors and blue-toned lighting.
Canadian Museum for Human Rights

At the Canadian Museum for Human Rights, the Capital Project established a foundational precedent for PAC’s inclusive design practice, embedding accessibility across exhibitions, architecture, digital platforms, the Universal Keypad, Universal Access Point, and Enterprise Content Management System to create a coherent, accessible museum experience.

Museum of the Blind People’s Movement

A large tactile floor-plan map printed in black on a white board, placed on a wooden tabletop. The map is labeled "Second Floor: Map 1 of 6" and includes raised braille-like dots, thick outlines, and textured patterns for accessibility. Several areas are labeled, including "Gallery 1," "Gallery 2," "Gallery 3," "Hub," "Onboarding," and "Stairs." A legend on the left side lists symbols for features such as circulation paths, museum walls, entrances, restrooms, elevators, and coat check. At the bottom center, a hand with light skin tone wearing a ring is touching the map.
National Federation of the Blind

PAC is leading planning, design, and delivery for the National Federation of the Blind’s Museum of the Blind People’s Movement, creating an inclusive, multimodal museum framework that centers blind-led history, advocacy, and visitor experience from pre-planning through schematic design.

Sign Language Labels

Photograph of a museum lobby during an event. In the foreground, a large flat-screen monitor sits on a black-covered table displaying a white woman signing in ASL against a dark background. Beyond the monitor, several visitors stand in front of a gallery entrance labeled “Myths, Fables, and Fortunes: Our Place within the Landscape,” while a woman in black signs to a small group gathered near the doorway. The space has tall pale stone walls, white gallery surfaces, and reddish polished concrete floors.
Boise Art Museum

PAC worked with Boise Art Museum to develop Deaf-centered ASL label videos, welcome materials, staff training, and sustainable production workflows shaped by a Deaf Access Working Group, establishing ASL as an integrated part of the museum’s exhibition interpretation.

Transforming Grief Loss and Togetherness in COVID-19 Exhibition

A tight, detailed close-up of someone with medium dark skin tone touching the gold lamé sleeve of a richly decorated gold outfit. Black mesh panels are covered with gold sequins, beads, floral embroidery, and reflective embellishments that catch the light in rainbow-like highlights. Shiny metallic gold fabric frames the embroidered sections and the background is softly blurred.
City of Toronto

PAC collaborated with the City of Toronto and curators Armando Perla and Raven Spiratos to design, produce, and launch Transforming Grief: Loss and Togetherness in COVID-19, a community-developed, co-curated, multimodal, tri-lingual exhibition integrating inclusive physical and digital access.

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